"[4] Blurring the lines puts both Guy and Bruno on a good-evil continuum, and the infinite shades of gray in between, became Hitchcock's canvas for telling the story and painting his characters. He
Strangers on a Train PG 1951, Mystery & thriller, 1h 41m 98% Tomatometer 53 Reviews 92% Audience Score 25,000+ Ratings What to know critics consensus A provocative premise and inventive set. ${cardName} not available for the seller you chose. sexual tension -- that makes the movie intriguing and halfway plausible, and
bargain. stunt man could have been killed; Hitchcock said he would never take such a
Bruno mentions Guy's missing cigarette lighter to Anne and claims that Guy asked him to search the murder site for it. Together the three women, working under the boss's guidance and late into most nights,[17] finished enough of the script in time to send the company East. I love Hitchcock but hadn't ever watched this one until the other day, and I was pleasantly surprised in some ways but mostly very disappointed. I like how he displays paranoia as the killer follows him around. Baiting Guy, Bruno reveals that he feels trapped by his hated father (Jonathan Hale). manner is pushy and insinuating, with homoerotic undertones. "[62] Roger Ebert has called Strangers on a Train a "first-rate thriller" that he considers one of Hitchcock's five best films. Strangers on a Train is a 1951 American psychological thriller film noir produced and directed by Alfred Hitchcock, and based on the 1950 novel Strangers on a Train by Patricia Highsmith. This Hitchcock thriller pulls out all the stops which would become standards in future films by the master director - an innocent man caught up in a web of trouble, a devious and unbalanced villain, dark humor, intelligent wordplay, and a climax that borders on the sublime. Even classic endeavors like Fargo and A Simple Plan seem directly fueled by this concept"[64], Almar Haflidason was effusive about Strangers on a Train in 2001 at the BBC website: "Hitchcock's favourite device of an ordinary man caught in an ever-tightening web of fear plunges Guy into one of the director's most fiendishly effective movies. [19], Even while the torturous writing stage was plodding its course, the director's excitement about the project was boundless. Shipping cost, delivery date, and order total (including tax) shown at checkout. Behind the Story contains these featurettes: Strangers on a Train: A Hitchcock Classic (SD; 36:44) is a nice overview with Peter Bogdanovich and several others discussing the importance of the film in the Hitchcock canon; Strangers on a Train: The Victim's P.O.V. The only sadistic part was I never got the hundred dollars."[43]. conversation -- which ends on an ambiguous note, with Bruno trying to get Guy
Strangers on a Train marked something of a renaissance for Hitchcock, after several years of low enthusiasm for his late-1940s output,[25] and he threw himself into the micromanagement of some of its production. [7] For six days, they shot at Penn Station in New York City, at the railroad station at Danbury, Connecticutwhich became Guy's hometown Metcalfand in spots around Washington, D.C.[7]. Hitchcock allegedly wanted William Holden for the role of Guy
"I have always given it careful consideration, so that my characters never eat out of character. The aestheticizing of the horror somehow enables the audience to contemplate more fully its reality. Walker plays Bruno as
Later in life, while still praising Robert Walker's performance as Bruno, she criticized the casting of Ruth Roman as Anne, Hitchcock's decision to turn Guy from an architect into a tennis player, and the fact that Guy does not murder Bruno's father as he does in the novel. (original music by) Cinematography by Robert Burks . There's also the breathtaking runaway merry-go-round ride in the finale, where the operator is shot and the ride keeps going as frantic parents scream and the children hold onto the horses for dear . helps explain how Bruno could come so close to carrying out his plan. Interesting more as an "intellectual exercise" than anything else, but indispensable for those interested in seeing how Hitchcock continued to shape his films after an initial cut. [44] It premiered in New York on July 3, marking the reopening of the extensively remodeled Strand Theatre as the Warner Theatre, and in a dozen cities around the country. Having given his characters overlapping qualities of good and evil, Hitchcock then rendered them on the screen according to a very strict template, with which he stuck to a remarkable degree. chance again.) And then, Guy's wife turns up strangled to death. Robert Walker performance benefits from a subtle tense urgency that perhaps
Amateur tennis star Guy Haines wants to divorce his promiscuous wife Miriam so he can marry Anne Morton, the daughter of a US Senator. Unfortunately, that was about it. On Rotten Tomatoes the film has an approval rating of 98% based on reviews from 52 critics, with an average rating of 8.80/10. Strangers on a Train (1951) Full Cast & Crew See agents for this cast & crew on IMDbPro Directed by Alfred Hitchcock Writing Credits Cast (in credits order) verified as complete Produced by Alfred Hitchcock . To add the following enhancements to your purchase, choose a different seller. Includes initial monthly payment and selected options. [12], Securing the rights to the novel was the least of the hurdles Hitchcock would have to vault to get the property from printed page to screen. According to Bruno, it's all to be read in the newspapers, especially the gossip concerning Guy's relationship with the daughter of a United States senator, and the ongoing drama with Guy's soon-to-be ex-wife, a good-time gal who's pregnant with another man's child. Bruno does murder Guy's wife, and then demands that Guy keep his half of the
With no known link between the two men, the police would be none the wiser, would they? Burks was an exceptionally apt choice for what would prove to be Hitchcock's most Germanic film in years: the compositions dense, the lighting almost surreal, the optical effects demanding. Disc1 contains the movie in a good looking & sounding print with optional subtitles + French & Italian language versions and has a very good,entertaining commentary with various people talking about the film, book and much else, with the highlight for 'Hitchophiles' being interview segments of director & Hitchcock biographer Peter Bogdanovich questioning the man himself. He told the obscure writer that the famous one hadn't written a solitary line he intended to use, and they would have to start all over on page one, using Cook's treatment as a guide. No Highsmith cameo
there's the famous sequence involving a runaway merry-go-round, on which Guy
These disturbing sounds, heard to superb effect in cues such as 'The Meeting,' 'Senator's Office,' and 'Jefferson Memorial,' are not just about Bruno, but about how he is perceived by those whose lives he crossesfirst Guy, then everyone in Guy's entourage."[37]. Images from the Hitchcock Gallery (click to view larger versions or search for all relevant images) 1000 Frames of Strangers on a Train (1951), articles about Strangers on a Train (1951), web links to information, articles, reviews, etc, Strangers on a Train (1951) - Warner Brothers (Blu-ray, UK, 2012), Alfred Hitchcock Collection - Warner Brothers (Blu-ray, UK, 2012), Der Fremde im Zug (1951) - Warner Brothers (Blu-ray, Germany, 2012), Strangers on a Train (1951) - Warner Brothers (Blu-ray, USA, 2012), Strangers on a Train (1951) - DVD releases, Strangers on a Train (1951) - Warner Brothers (UK, 2004), Strangers on a Train (1951) - Warner Brothers (USA, 2004), http://the.hitchcock.zone/w/index.php?title=Strangers_on_a_Train_(1951)&oldid=196012, to view all of the DVD releases of this film, see. "[45] Bruno embodies Guy's dark desire to kill Miriam, a "real-life incarnation of Guy's wish-fulfillment fantasy".[45]. Hitchcock insists on perfection. Especially with Bruno, who held the movie together as he did the book." the DVD, 12 minutes and 16 seconds into the running time. Strangers on a Train is a 1951 American psychological thriller film noir produced and directed by Alfred Hitchcock, and based on the 1950 novel Strangers on a Train by Patricia Highsmith. "criss-cross" murder deal in "Strangers on a Train" indeed
American Film Institute listed the film as #32 in AFI's 100 Years100 Thrills. This includes lots of great home movies; Alfred Hitchcock's Historical Meeting (SD; 1:08) is a weird little snippet without sound that shows Hitch interacting with actors made up as historical characters. Anne visits Bruno's home and tries explaining to his befuddled mother that her son is a murderer. Guy meets with Miriam, who is pregnant by someone else, at her workplace in Metcalf, their hometown. a divorce from his cheating wife, Miriam (Kasey Rogers), in order to marry Anne
man becomes the obvious suspect in the strangulation of his wife. Bruno agrees to kill Guy's unfaithful wife, in return for which Guy will (or so it seems) kill Bruno's spiteful father. When Bruno arrives at the amusement park, a carnival worker recognizes him from the night of the murder; he informs the police, who think he has recognized Guy. This triggers a flashback; Bruno compulsively squeezes the woman's neck, and other guests intervene to stop him from strangling her to death. Dreadful business. sister gets the creepiest lines in "Strangers on a Train," especially
Brief content visible, double tap to read full content. The worker who called the police tells them that Bruno, not Guy, is the one he remembers seeing the night of the murder. But a men's three-set tennis match can be eleven hours or thirty minutes, depending on tiebreakers and whether it even goes to three sets at all. An early preview edit of the film, sometimes labeled the "British" version although it was never released in Britain or anywhere else, includes some scenes either not in, or else different from, the film as released. Tennis star Guy (Farley Granger) hates his unfaithful wife. Upon its release in 1951, Strangers on a Train received mixed reviews. The copy is terrific and worth every penny. "[27], One of the most memorable single shots in the Hitchcock canon it "is studied by film classes", says Laura Elliott, who played Miriam[28] is her character's strangulation by Bruno on the Magic Isle. Then
irresistible -- especially since Guy has a motive to murder his wife, was seen
Reviewed in the United States on January 10, 2023. rotate in the same direction -- except one.). By the time Guy disembarks from the train, he has unwittingly entered into a deal with the devil, and his life almost immediately begins to unravel. It is one of the moments in Hitchcock's work that continues to bring gasps from every audience and applause from cinema students. [21] The scripting team added the tennis match and the crosscutting with Bruno's storm drain travails in Metcalf added the cigarette lighter, the Tunnel of Love, Miriam's eyeglasses; in fact, the amusement park is only a brief setting in the novel.[21]. Highsmith (1921-1995), who in her Ripley novels and elsewhere was fascinated by
The film initially received mixed reviews but has since been regarded much more favorably. That was my favorite part of the movie. frequently use a buried subtext of unstated gay attraction -- as in "The
Guy Haines, a famous tennis player, is recognized on a train by Bruno Anthony, whose conversation shows a detailed knowledge of Guy's private life. Barbara tells Anne that Bruno was looking at her while strangling the other woman, and Anne realizes Barbara's resemblance to Miriam. Bruno follows Guy around Washington, introduces himself to Anne, and appears at a party at Senator Morton's house. # travel # kit harington # modern love # big day # train travel. Ebert wrote: Hitchcock was a classical technician in terms of controlling his visuals, and his use of screen space underlined the tension in ways the audience isn't always aware of. "[28], Principal photography wrapped just before Christmas, and Hitchcock and Alma left for a vacation in Santa Cruz,[26] then in late March 1951, on to St. Moritz, for a 25th anniversary European excursion. Although Hitchcock
was above all the master of great visual set pieces, and there are several
Bruno knows about Guy well from reading gossip papers. Bruno orders with gusto and with an interest in what he is going to eat lamb chops, French fries, and chocolate ice cream. [12][15] Chandler took the job despite his opinion that it was "a silly little story. allowed an aging actress to manipulate him in "Sunset Boulevard"). In a conventional movie, the tune would play in the background as a clever ironic backdrop. [43] First of all, she was not up there alone: flanking her were the actors playing Miriam's two boyfriends "and I have a picture of us waving. A film of noir moments galore. "The man who crawled under the out-of-control carousel was not an actor or a stuntman, but a carousel operator who volunteered for the job. "Isn't it a fascinating design?" It's worth noticing that
Reviewed in the United Kingdom on September 7, 2015, Reviewed in the United Kingdom on February 24, 2021, Reviewed in the United Kingdom on May 21, 2021, Learn more how customers reviews work on Amazon, Closed-captioned, NTSC, Full Screen, Black & White, English (Dolby Digital 1.0), Unqualified (DTS ES 6.1), French (Dolby Digital 1.0), Leo G. Carroll, Farley Granger, Hitchcock, Patricia, Lorne, Marion, Roman, Ruth. The pair has what writer Peter Dellolio refers to as a "dark symbiosis. My mum had said this was a great film, and she was right. No matter how well a football team plays, the match has a fixed temporality. he would like to "strangle" Miriam. It is those flaws that set up the real themes of Strangers. The psychopath suggests that because they each want to "get rid" of someone, they should "exchange" murders, and that way neither will be caught. reflected events in his private life; he had a nervous breakdown shortly after
only the whites of his eyes showing. "[53], Hitchcock continues the interplay of light and dark throughout the film: Guy's bright, light tennis attire, versus "the gothic gloominess of [Bruno's] Arlington mansion";[46] the crosscutting between his game in the sunshine at Forest Hills while Bruno's arm stretches into the dark and debris of the storm drain trying to fish out the cigarette lighter;[54] even a single image where "Walker is photographed in one visually stunning shot as a malignant stain on the purity of the white-marble Jefferson Memorial, as a blot on the order of things. Hitchcock left behind two versions of Strangers on a Train. "Hitchcock raced ahead of everyone: the script, the cast, the studio pieces of the film were dancing like electrical charges in his brain. Is 'Strangers on a Train' based on a book? [42] Hitchcock and Patricia both were afraid of heights, and father offered daughter a hundred dollars to ride the Ferris wheel only to order the power cut, leaving her in the dark at the very top of the ride. How perfect for a playful proposal: I'll kill yours, you kill mine. She initially praised it, writing: "I am pleased in general. In the novel, Guy Haines is not a tennis player, but rather a promising architect, and he does indeed go through with the murder of Bruno's father. Bruno is rather a child. was a lesbian whose novels have uncanny psychological depth; Andrew Wilson's
to agree to the plan, and Guy trying to jolly him along and get rid of him. [24] Exteriors would be shot on both coasts, and interiors on Warner Brothers' soundstages. It is a twisting story of a male-on-male relationship that Patricia Highsmith often proffered (same-sex, male or female) in her best novels like this one. during an early meeting involving Guy and the senator's whole family; she keeps
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